Buenos Aires-based filmmaking collective 1985 offer up an unconventional study of iconic designer Kenzo Takada, the Japanese-French founder of the eponymous fashion house, told through his hands. 1985’s intimate portrait makes the case that a person’s hands not only reveal their creativity, but also their subconscious beliefs.

Speaking about their original approach to portraiture, the directorial collective explain: "We believe hands can tell you a lot about a person, because hands do not have a social construction—they’re the same when we are with people and when we are alone."