The beguiling sky-high photographs of David Maiseloffer an array of dizzying impressions. Some appear to be dappled,abstract oil paintings; others resemble animal pelt viewed through amicroscope; a few suggest geometric collages cut from forest-greenpieces of card. In fact, Maisel’s aerial images of terrain adulteratedby humans––open pit mines, clear-cut forests, zones of waterreclamation––employ to great effect the philosophy that distance canmake the eye grow fonder. Working from a four-seater plane made by therenowned Cessna at an altituderange of 500 to 12,000 feet, Maisel spends four hours at a time in theair to find the perfect shot, sometimes removing an entire window asthe pilot banks the plane to gain the optimum position. The selectionhere is of never-seen images by Maisel taken above the Great Salt Lakein Utah, the searing colors a product of the water’s high mineralcontent. Alongside, we present a hypnotic electric piano compositioncreated as an audio response to the photographs by DJ andsuper-producer Howie B, who has enabled artists such as Björk, U2 and Tricky to realize their sonic vision.