It’s impossible to look at a set of images without bringing yourself into it. The argument you had with your partner that morning, the flighty thought of hooking up with your confidante at Art Basel Miami or the inescapable fact that this Christmas is your turn with the in-laws. Michael Bodiam’s series The Tools We Use invites you to step on the merry-go-round of synaptic thought. What are we looking at? A Takashi Murakami origami monster? The set for Tron: Legacy II? A 3D dancefloor? Our minds try to make sense of the images, whether the curled photographic paper makes you think of Yves Klein’s “1959 Untitled Monochrome” or simply a stolen kiss; whether the smoke billowing out of a curtain reminds you of a forbidden cigarette you sucked on surreptitiously. Bodiam stumbled upon the subject matter while looking for something to photograph with art director Yarra Jones.  “When you try to shoot something that’s commercially relevant, you need an object,” he says. “I soon realized, I had an enormous collection of design items, in the form of the photographic equipment that I spend my days with. We had what we needed already.”