A large-scale pig and a bouncy re-imagining of Stonehenge star in Mobile M+: Inflation!, an exhibition that taps into the irreverent side of Hong Kong’s contemporary art scene. To mark the awakening of a cultural district in Kowloon, M+, the city’s new museum for visual culture, has installed six huge inflatables on a stretch of once-derelict land along the Victoria Harbour waterfront. Documented here by photographer Kurt Tong, the public show incorporates the work of influential and often X-rated Los Angeles sculptor and performance artist Paul McCarthy, and Britain’s Turner Prize-winning conceptual artist Jeremy Deller. Asia is represented by South Korea’s master of inflatable art Choi Jeong Hwa, China’s Cao Fei, renowned for works that incorporate role play and simulated reality, and Hong Kong artist Tam Wai Ping, who once floated a blow-up temple above the original holy site that inspired it in Taiwan. M+ will not open until 2017, but in the meantime curator Tobias Berger will be taking full advantage of the surrounding park land. “There are already plenty of MoMAs out there,” explains Berger. “We are open to all fields of visual art and want to be more fluid and inclusive than those who have gone before us.”