Serge Mouille
The Serge Mouille light fixtures look as good to me now as when they were originally created. They have a real quality of materials that is hard to find today. I have one in my bedroom, one in my office, and we use them in the store a lot. They are just incredibly simple, the shapes are elegant and they are absolutely timeless.
Jacques Adnet
I am obsessed with Jacques Adnet. I don’t have anything by him, but I have been searching for this beautiful bookshelf that I probably can’t afford but I want in my life at some point. His work feels masculine (with the leather and tacks), but the scale of the pieces is actually really delicate. It’s what I like about men's tailoring. It feels very masculine, but when you see it in size, it’s not overpowering.
Cy Twombly
All I have ever wanted is a Cy Twombly. Now that he’s passed away, I am sure I won’t be able to afford one. There is a $30 million triptych at the Gagosian right now that I am obsessed with. It’s a strange thing to love something so much and have it be completely out of your reach. It’s not like I want a private plane, do you know what I mean? I fantasize about Cy Twombly, and I will probably never have it, and it breaks my heart.
E.R. Butler, who makes gorgeous hardware, was kind enough to custom-make some light switches for me in un-lacquered brass and black. They are really heavy and clean, with no bevel—just a flat plaque, with two push buttons. They have patina’d over time. These things that look polished and clean make all the difference in a home. If we ever sell the house, I will replace every light switch and take them with me.
Roman and Williams
I don’t pay attention to decorators so much, but I like what the Roman and Williams team is doing right now. They did a beach house in the Hamptons that I think is incredibly beautiful. It doesn’t look like a Hamptons house; there is no white lacquer or expensive sheets. I like things to look messy and undone. There is a sense of ease and a sense of discovery.
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