“I wanted it to be like stepping into a moment of his mind,” says Curator and Owner of Hamiltons Gallery Tim Jefferies of the space's latest exhibition, Daido Moriyama: Silkscreens. “If you look through any of Daido’s books, the subject matter is so disparate, mad, and visceral.” The black-and-white works showcase the Japanese provocateur’s trademark rough and ready are-bure-boke urbanism in the unusual form of silkscreen. The disintegrating traditions and hyper-modernization of post-war Japan echo through the output of the Osaka-born artist, photographer and documentarian; in light of this, Jefferies carefully chose 16 images from Moriyama’s archive and printed them without following a narrative, instead focusing on his penchant for abstraction and symbolism. The 75-year-old today continues prowling the backstreets of Shinjuku, Tokyo with his point-and-shoot camera, 45 years after he was awarded the New Artist Award by the Japan Photo-Critics Association. “He is the antithesis of a classic photographer, ” says Jefferies. “The opposite of Penn, the opposite of Avedon, the opposite of Newton.”