Andrew Thomas Huang’s Stonemilker visual landed the inter-space in true Björk fashion; functional yet explosive with revolutionary technologies that shook the music video landscape at the time. The six-minute experience guarantees a sensory overload, as a fluorescent Bjork sways in the Icelandic wind on the very spot the song was written. The film was produced by Chris Milk’s VR company and was originally brought to life as an installation in a number of selected London and New York locations.